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KEN CHITWOOD

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“The person who knows only one religion, knows none”
— Max Müller

Ten Novels Every U.S. Christian Should Read

September 4, 2014

People are into books right now. That's #Awesome. There is, in the wake of the #IceBucketChallenge, a "list your top ten most influential/favorite books" #bookchallenge floating around social media (e.g. Facebook) right now. There are blogs, like Justin Taylor's "Between Two Worlds" at The Gospel Coalition, that are running a series on "novels every Christian should consider reading." As a bibliophile, I'm all for it. O masses, read on!

“The more you read, the more things you will know. The more that you learn, the more places you’ll go.”
— Dr. Seuss

So, mixing Justin Taylor's "novels every Christian should consider reading" with the "top ten influential books" list I put forward my, "Top Ten List of Novels that every U.S. (and, to be honest, specifically white, middle class) Christian Should Read." 

Why this list? 

Our top ten lists and choices of novels often reinforce our own philosophies and voices. This isn't horrible per se, but when we only we read what we like or what confirms our biases we are never challenged to think beyond our current worldview. That can be dangerous. One of my favorite aspects of the top ten lists people are posting on Facebook is that many of the novels they list came from their high school or college reading lists. There's a reason for this, someone told you to read this book because they thought it might challenge you.  At its best, literature cracks us open, challenges us, and provokes us to discover and be confronted by strange new worlds or by deconstructing comfortable, familiar ones.

Therefore, This list is predominated by what some call "subaltern" voices, or "the little voices of history." These voices are post-colonial and come from often marginalized authors or, at the least, are written from their perspective. Basically, this list  presents pieces of fiction that should shake up and disturb comfortable, middle-class, suburban, caucasian, Christians...not to mention many others. We need this if we wish to continue to interact with the new power centers of Christianity in the "the Global South" (Africa, Asia, and Latin America). We have to face that we are not the hegemonic power we once were and deconstruct our neocolonial thought patterns, ministry actions, academic exercises, methodologies, and mission emphases -- no matter how well intentioned. These novels will help us to see from this perspective, albeit limitedly. They are meant to humble us. 

TEN NOVELS EVERY U.S. CHRISTIAN SHOULD READ:

1. Invisible Man by Ralph Ellison -- This is the story of a young, naïve African-American man in the U.S. South who explores his own black identity and racism through experiences in college, with the Communist Party, through riots, and under the streets of Harlem. There, in darkness and solitude he finally begins to understand himself -- his invisibility, and his identity.  Why read it? Invisible Man challenges us to consider marginal, invisible, voices and confronts us to consider stereotypes, racism, and subjugating and radicalizing social forces in the U.S. No surprise, I read it in a high school literature class. Thanks Mrs. Kelly. 

2. The Good Earth by Pearl S. Buck -- Told in traditional Chinese narrative style and written by the daughter of missionaries, this story amplifies traditional family life in a Chinese village before World War I. It follows the fortunes and pitfalls of a rural farmer and the slave of an opium-soaked merchant household who eventually come to own all they worked hard for. Why read it? This book has it all, exploring women's rights, family dynamics, class conflict, spiritual struggle, moral dilemmas, simplicity versus complexity and the pressures of the modern world. 

3. The Poisonwood Bible by Barbara Kingsolver -- The Price family, missionaries from Georgia, head to the jungle of Africa to convert the masses. Only, it isn't that easy. Confronted with culture shock, mosquitos, snakes, political upheavals, malaria, and their own metaphysical conundrums and shocking family dynamics the experience breaks them apart -- physically, mentally, and spiritually. Why read it? If I taught a course on world missions, this book would be required. Themes of forgiveness, cultural hegemony, culture shock, colonialism, racism, and more are all packed into this little bundle of heart-wrenching reading. You won't like this book, but you will most certainly love it.  

4. That Hideous Strength by C.S. Lewis -- A dystopian novel that wraps up Lewis' "Space Trilogy," That Hideous Strength features the battle between a sinister pseudo-scientific institute, the N.I.C.E., that plans to take over the world and is backed by demonic forces. Why read it? Ok, so this isn't a subaltern novel and it features Roman, Christian, and British philosophy and tropes, BUT it's still worth a read as it challenges our 21st-century's emphasis on scientific salvation, the divorcing of body and soul, and our tendency to permit Normal Nihilism in everyday life. 

5. Heart of Darkness by Joseph Conrad -- Heart of Darkness follows one man's hellish journey into the interior of Africa where he encounters corruption, brutality, hate, violence, and colonial hegemony at its most capitalistic and manipulative worst. Why read it? While this book should be read hand-in-hand with a transcript of Chinua Achebe's "An Image of Africa," (or, for that matter, his tomic novel Things Fall Apart) the story still stands alone as a Gordian expedition into what constitutes the forced binary between 'barbarian' and 'civilized,' attitudes on colonialism, and imperial racism. Plus, the character of Katz is super mysterious. 

6. We Need New Names by NoViolet Bulawayo -- Oh sweet cream, this book is so good. It is a coming-of-age story of Darling, a Zimbabwean girl, who navigates her fragile and shifting world first as a ten year old in her home country and later as a teenager in the Midwest of the U.S. Why read it? Exploring themes of family, immigration, and cultural memory this book captures,  "the uneasiness that accompanies a newcomer’s arrival in America, [and] illuminate[s] how the reinvention of the self in a new place confronts the protective memory of the way things were back home." (NYTimes' Uzodinma Iweala)

7. Midnight's Children by Salman Rushdie -- Mixing magic and mundane realism, Rushdie invites the reader into India during the period of transition from British colonialism to Indian independence in order to open us up to how Western ideals have shaped, for good and ill, modern India. Why read it? This is quintessential post-colonial lit.. Using Hindu gods and magical realism, Rushdie speaks to the creative and destructive forces at work in the world and which seep into the unequal power relations between imperial forces and colonial minions, between East and West, and how this world is still shaped by centuries of colonial dominion. 

8. Cat's Cradle by Kurt Vonnegut -- John, who goes by Jonah, is researching a book on what elite Americans were doing the day the atomic bomb hit Hiroshima on the island of San Lorenzo -- a quaint little dictatorship in the Caribbean. Unbeknownst to him as he sets off, this research will lead him to meet a fated group of people, come across the religion of Bokononism, and, unfortunately usher in the end of the world. Why read it? Because it's Kurt F***in' Vonnegut, that's why. Ever since I read "Harrison Bergeron" and that changed my life (thanks again, Mrs. Kelly), I can't get enough of this curse-laden, dystopic, short-story, satirical mad man. But this book in particular really gets me. It's a novella about human stupidity and its many manifestations in the realms of politics, sexuality, cultural elitism, capitalism, and religion. If you read it and don't like it, that probably means you understood it. 

9. The Bone People by Keri Hulme -- Technically a story about love, but also one about a woman locked away in a tower (go figure) the plot follows Kerewin Holmes, who is half Māori, half European (Pākehā), and her love interest and his son. Why read it? My best suggestion is to get drunk on New Zealand literature. Seriously, that place is stock-full of scintillating novels, poetry, and philosophy. Plus, their indigenous debates (between Māori and Pākehā) are some of the most robust, and constructive, in the world. Specifically, this book paints a picture of reconciliation between indigenous and Eurocentric powers that not only critiques colonial hegemony, but offers a pathway for both Māori and Pākehā to work together to achieve healing and unity for the future. 

10. One Hundred Years of Solitude by Gabriel García Márquez -- Another magical realist novel, this is the saga of seven generations of the Buendía family in Macondo in Latin America. There are massacres, marriages, major corporations, misfortunes, and migrations. It's the story of Latin American history centering around one family and one city.  Why read it? It's dense, convoluted, and puzzling prose. Did I sell you yet? Every sentence, comma, and page turn mean something in this book. So it's not only an exercise in how to read a book, but it also initiates the reader into the soul, passion, and dashed dreams of many Latin Americans who fear that colonialism and corruption have fated them to a repeated history of could-have-been glory, lost love, and decay. 

*Honorable Mention: Faceless Killers by Henning Mankell -- The first story in the Wallander detective series, the plot follows the bleak, cold, investigation of a bloody murder of two farmers in the countryside. The only clue to the brutal crime? The attackers may be 'foreign.' When this leaks out, racial hatred is unleashed. Why read it? A) It's entertaining. B) It's going to make you question whether you're a racist or not...and you probably are. But, as one of the characters says, what really counts, "is what you do with [your racism]." 

This is my list. I could add more, I could change it up. For now, this is what it is. What would you add? What is your list? What are your thoughts? Share with me on the blog, via Facebook, or on Twitter with the hashtag #BookChallenge. 

In Religion and Culture, Missiology, Church Ministry Tags Ice Bucket Challenge, BookChallenge, Gospel Coalition, Books every Christian should read, Dr. Seuss, Justin Taylor, Invisible Man, Ralph Ellison, The Good Earth, Pearl S. Buck, The Poisonwood Bible, Barbara Kingsolver, That Hideous Strength, C.S. Lewis, Heart of Darkness, Joseph Conrad, Chinua Achebe, Things Fall Apart, post-colonial, subaltern voices, We Need New Names, NoViolet Bulawayo, Midnight's Children, Salman Rushdie, Cat's Cradle, Kurt Vonnegut, Harrison Bergeron, The Bone People, Keri Hulme, One Hundred Years of Solitude, Gabriel García Márquez
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The Cathedral Basilica of St. Augustine, finished in 1797.

Religion in hellholes, citadels, & tourist traps

September 2, 2014

Religion is everywhere. It’s in our hearts and in our hands. We see it in coffee shops and on college campuses, on street corners and in the local mall. Religion is everywhere. 

It’s even found in deep sinkholes and picturesque beaches in Florida. 

This last weekend was Labor Day weekend and my in-laws were in town. Our plan consisted of taking them to a couple of local highlights: the Devil’s Millhopper and St. Augustine. What I did not plan for was the unexpected religious “sightings” that we would find there and have the opportunity to reflect on. These case studies in religious sightings are not only engaging, but provide direction for you to discover religion in unexpected places or on vacation! 

The shady sinkhole of The Devil's Millhopper and its waterfalls shelter eerie stories of demons, bones, and Indian princesses. 

The shady sinkhole of The Devil's Millhopper and its waterfalls shelter eerie stories of demons, bones, and Indian princesses. 

The Devil’s Millhopper is a local legend here in Gainesville and home to one of the most famous sinkholes in the state. Designated a National Natural Landmark and Florida State Park, the Devil’s Millhopper has been a curiosity enjoyed by tourists for over 100 years. It is not a large sinkhole, though it is an old one, formed in two stages about 10,000 and 1,000 years ago. It’s a pretty cool place, literally. The Devil’s Millhopper is not only interesting, but cooler at the bottom of its 236 steps because its basin is fed by at least twelve freshwater springs.


Researchers have unearthed a great deal of Florida’s natural history here, but it is the religious folklore surrounding the Millhopper that makes it peculiarly fascinating. 

Along with shark’s teeth and fossil remains, there have been some pre-historic human remains discovered in the bottom of the sink. Thus, while the name “millhopper” comes from the comparison of the round-bottomed pit with the bowls millers use to grind grain, it was these remains that helped give rise to the Millhopper’s malevolent moniker and the rumor that the sinkhole was feeding dead bodies to the devil. Local UF students and 

The Timucua, an American Indian people, whose territory included much of Northeast Florida and Southeast Georgia made up of 35 chiefdoms, have an origin myth for the Devil’s Millhopper that explains much of the above mythos. The story goes:

“There was a beautiful Indian princess who lived in a village in present-day Gainesville. The Devil wanted to marry the princess, but she wanted nothing to do with him. So one day, he kidnapped her and ran. On hearing this, all the Indian braves were deeply saddened and began to chase the Devil and the Indian princess. As the braves began to get closer and closer, the Devil retreated to his portal — the sinkhole — and the braves fell in (in some stories, he created the sinkhole). They fought against the quicksand and the Devil, but seeing that they were going to lose the battle they fell into retreat. When they tried to climb out, the Devil turned them to stone (in some versions he ate them and spit up their bones, explaining the pre-historic remains). To this day, it is said, that the running water of the springs is the weeping tears of the Indian braves, shed for the beautiful princess who was taken below to the Devil’s abode.”
— Adapted from Florida State Parks Authority

St. Augustine is a little slice of historical paradise on Florida’s Atlantic coast. Nicknamed “the Ancient City” it is the oldest existent, and continuously occupied European colonial city in the U.S., founded by the Spanish in 1565. 

Contested by the Spanish, British, and Americans over the centuries, St. Augustine bears the religious marks of all these influences: 

Memorial Presbyterian Church, built by Henry Flagler for his northern elite religionistas.

Memorial Presbyterian Church, built by Henry Flagler for his northern elite religionistas.

  • Nombre de Dios (Name of God) is a Spanish mission station with a distinguishing 204ft cross that was run by Jesuits and Franciscans during the Spanish area and saw some success in reaching out to Mocama and Agua Dulce peoples, both part of the aforementioned Timucua group.
  • There are significant churches including the Cathedral Basilica of St. Augustine (another National Historical Landmark, finished in 1797 after a period of Spanish revival following British rule); Trinity Church of St. Augustine (the oldest Protestant church in Florida with beautiful stained glass); and the Henry Flagler-era churches Grace United Methodist Memorial Presbyterian, and Ancient City Baptist (all built ornately to cater to the northern elite Flagler, a partner of John D. Rockefeller’s, attracted to St. Augustine). 
  • The most obvious landmark in St. Augustine, however, is Castillo San Marcos, a strategic fort for the Spanish, British, and Americans, which is home to the oldest chapel in the U.S. — St. Mark’s, in one of the theaters of the fortification.

The altar of St. Mark's Chapel in Castillo San Marcos, St. Augustine, FL.

With all this religious history, it might be easy to miss the subaltern voices of St. Augustine, the religious history of social groups who are socially, politically, and geographically outside of the dominant power structure of the colony (the Spanish, British, and American powers).

The Timucua are not the only people to feature in the religious, or native, history of Florida. Nor are the infamous Seminoles. And, unfortunately, if the story of the Devil and the Indian princess is only myth, there are far more diabolical stories about American Indians in the Sunshine State. Only, in these stories the Indians were thrown into hellholes in forts by U.S. soldiers.

An inscription of the Kiowa Sun Dance, engraved here my imprisoned Plains American Indians under U.S. forces at Castillo San Marcos, St. Augustine, FL. 

The casement immediately adjacent to St. Mark’s chapel at Castillo San Marcos is a nondescript coquina-walled room where several displays explain the American Indian history of the space. It is a disheartening room to experience, as U.S. forces imprisoned American Indians who resisted replacement and subjugation under the advance of American new-colonial forces. Imprisoned next to the citadel’s chapel, trapped in their own “Devil’s Millhopper,” these Kiowa and Southern Cheyenne men etched the dreams of their freedom into the walls even as they became a tourist trap to northerners vacationing in St. Augustine, including missionaries and teachers who tried to “help” them assimilate by teaching the prisoners English, Christianity, and other elements of “American” culture. 

A representation of the inscription above. 

Their religious graffiti featured the Kiowa Sun Dance — outlawed by the U.S. government. The Sun Dance was the premier religious ceremony for the Kiowas, similar to other plains Indian People. Typically, it was performed annually during the summer, and provided a time for ceremonial and religious celebration and supplication. It was also a socio-cultural re-union providing an opportunity for the sharing of news, healing, and self-renewal among kin. 

Engraving this into the walls, and performing it in the courtyard of the Castillo San Marcos, acted as a form of protest against their imprisonment and subjugation — especially since the Sun Dance was an agonizing ordeal for those who performed it and it in some way mirrored the torment of the imprisoned plains Indians. 

Then there is the Huguenot Cemetery, which recalls the slaughter of Huguenots in St. John — French Calvinists who fled to Florida to escape persecution in France — just 26 miles North of St. Augustine. 

These tragic testaments can make it seem as if the subaltern stories form St. Augustine are solely sad ones, but this is not always the case. 

Tourists traipsing down St. George Street are so easily drawn to the restaurants and shops there that it is easy to walk past the National Greek Orthodox Shrine of St. Photios without noticing it. 

The chapel, featuring Byzantine-style gold-leaf highlighted frescoes, at the Greek Orthodox National Shrine of St. Photios, St. Augustine, FL. 

The shrine is unique in the Western Hemisphere with its dozens of Byzantine frescoes, beautifully highlighted with gold leaf. Surrounded by the subdued sounds of chants used in the Greek Orthodox Church and a coolness that is a strange departure from the outside temperature, the visitor experience includes a walk down a candle-lit corridor to a beautiful grotto. 

But what is it doing in St. Augustine? According to the documentary video in the chapel, St. Augustine is Greek-Americans’ ‘Plymouth Rock.’ Forced out by poverty and land-locked farming scenarios from their Mediterranean home, the first Greeks to arrive in the New World came by ship to St. Augustine in 1768. From here, they traveled south to work as indentured servants at an indigo plantation. While they suffered there, they remember St. Augustine fondly and have enshrined it in their national psyche naming the chapel after St. Photios the Great, a 9th-century patriarch of Constantinople, the seat of power and nationalism for the Greek Orthodox. 

This beautiful shrine is open to the public, but very few enjoy its splendors or explore its history. The same goes for the Kiowa engraving or the Huguenot cemetery. Missing these subaltern sites means failing to see the whole story of a place, a time, and a people. 

What can you do to make sure you don’t miss the story? Open your eyes to the wonderful world of religious sightings, study up a little beforehand, and go spiritual site-seeing. 

You’ll be surprised what you find. 



In Religion and Culture, Religious Literacy Tags religious sites, religious pilgrimage, subaltern voices, religion is everywhere, St. Augustine, Florida, Devil's Millhopper, The Legend of the Devil's Millhopper, Gainesville, University of Florida, Nombre de Dios, St. Photios Shrine, Greek Orthodox, St. Mark's chapel, Castillo San Marcos, Kiowa, Kiowa Sun Dance, Sun Dance, Timucua, American Indians, Native Americans, Plains indians, Huguenots, Huguenot Cemetery
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