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KEN CHITWOOD

Religion | Reporting | Public Theology
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“The person who knows only one religion, knows none”
— Max Müller

A pub-hymn-sing-a-long? Yes. Yes please.

November 11, 2015

It's Friday night. You walk down to your neighborhood pub for a couple of pints and to listen to some live music. As you settle onto your stool and order a hop-fresh IPA or a crisp kölsch the tunes start. You recognize the song and start to sing along. Is it a top-40 hit? Kind of...but from 1664. It's "My song is love unknown" originally written by Samuel Crossman and performed and arranged by New York based artist Blake Flattley. 

Flattley has been performing and singing for over a decade and says he loves three things: a great song, a great drink, and spending time with great people. "Why not have all of them in one place?" he asked. So was born the idea of the "'There Will be Rest' Pub-Sing-a-Long Tour." 

Releasing his newest album, "There Will Be Rest" -- a collection of re-arranged hymns and original music -- earlier this year, Flattley is now raising funds to host a series of pub-sing-a-longs all over the U.S. in celebration. He said, "the idea is this: we gather together in local pubs, sing some hymns, enjoy some great beer and hear some of my songs that you may be familiar with." The key is getting people in cities across the U.S. to support the tour. Flattley launched a Kickstarter campaign to get him across the nation. 

Below is an interview with Flattley about his music, his motivations, and his . You should definitely check out his music and consider having him to come to your favorite watering hole for a sing-a-long and some suds for as little as $5! 

  • Tell us a bit more about your album and what you are trying to do with it...

Flattley's new album, "There Will Be Rest." 

I've been playing in clubs for a long time, and now, though I'm still playing clubs, I've been playing in a lot more churches outside of my own. I kept getting the question, "which of these cds have the music you just played during the service?" and the answer was none. Eventually, I had enough people ask and the timing was right. I'd been in New York City working with my church for about two years, and I connected with some fantastic musicians. It was a strange thing, I would throw out a musical reference and get a response back of, "I've played with them"(Sufjan Stevens, The Welcome Wagon, The Lone Bellow).

Once I set to work choosing the songs for the record, the theme really flowed out of my experiences in New York. The mantra of most New Yorkers seems to be that they are tired and busy. Not busy like most, where they say they are busy almost as some sort of status symbol. New Yorkers are busy because the rent is high and they have to take every gig they can to make ends meet. Its a matter of being able to make it. The title and title track, "There Will Be Rest", flowed out of that. I wanted to create a record that both sonically, and lyrically, embraced that theme.

  • Why a “pub-sing-a-long” in particular?

I like the idea of a pub sing because it in some ways unites my two worlds. There's also the folklore behind so many great hymns about how they were written with bar tunes and then brought into the church. Though that is largely believed to be myth, I still like the concept. I don't want to take myself too seriously, and I like singing with people and enjoying their company over a good beer so, why not?

  • What do you imagine this is going to look like? 

We'll gather together in local pubs and for about the first forty five minutes we'll sing some great hymns. I'll invite some of my friends along the way to join in with leading the singing. I'm putting together, essentially a digital lyric sheet for everyone, so if they don't know the hymn, they can pull out their phone and scroll through the lyrics. During the second set of the night I'm planning to sing some more of my arrangements as well as some original music that people will still be encouraged to sing along with. To be clear, it won't be a church service. 

  • When are you heading out? Where are you going, or would like to go? 

I'll be kicking off the tour in January, heading out to the North West and then kind of bouncing around the country from there. I'm planning to essentially head anywhere there is a critical mass of people who show they are interested by supporting the kickstarter campaign. My thought is to head to Texas, California, Arizona, maybe the midwest and then of course a few East Coast dates. 

  • Are you going to shut down the pub that night or just go for it with the crowd? For that matter, how do crowds react to your religious music? 

Really, anyone that wants to sing and have a good time. I don't want to shut down the pub but instead, sing with those that are there. Some people may not be into it and that's ok. 

It's interesting, I thought I was carefully splitting up my "religious" songs from my "secular" songs but once I started mingling them, I realized they're not all that different. One of my main goals as an artist is simply to make good art that explores the human experience. Religion is a part of that.

  • Tell us what you are doing with music and ministry in NYC. How does this project tie in? 

I'm the director of worship and arts at Our Saviour New York. We're a church of two parishes, one in Queens and one in Midtown Manhattan. We do a ton with local artists, sponsoring songwriter rounds, holding artist showcases for storytellers, bands, comedians and we just recently started exhibiting visual art. We love to engage with our community and experience what they're creating and to see how we can support and encourage them. I also play a lot throughout the city at various venues, not typically singing hymns. In addition to all of that, I've got some new musical projects in the works, but its still a bit too early to get specific. 

This project was really just an idea that I thought would be fun. A kind of experiment. 

  • Why do you think people are flocking to pub-hymn-sings, TheoPubs, and brewery-based missional communities?

I think for many people going to church is weird. Not in the sense that the experience is weird but they feel a weight of expectation. To perform in some way. A pub doesn't come with the same expectations. People can be a little bit more who they really are. You can hopefully do that at church as well but it just takes some folks a little longer.

  • What’s your favorite beer? 

Its funny, the other day I went to Trader Joe's and they have the option to fill a six pack with whatever loose beers that they have. When I got home and was loading them in the fridge I realized that for every beer I had purchased I could remember who had introduced me to it. That being said, my favorite beer currently, I actually first got to try thanks to you, Sixpoint's Bengali Tiger (we also currently have this on tap at OSNY).

Speaking of favorites. Have people tweet at me with their favorite hymn @BlakeFlattley

In Church Ministry Tags Blake Flattley, There Will Be Rest, Pub sing, Pub church, TheoPub, Hymns, Hipsters and hymns, OSNY, Our Saviour New York, Matt Popovits, Ken Chitwood, Hymn tour
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Faith Goes Pop Round-Up: Was Jaws Jewish?

August 6, 2015

Was Jaws Jewish? 

That's right, to pop off on this Faith Goes Pop round-up I'll start with a sighting of an opinion piece from film critic and academic Nathan Abrams of Bangor University who made the claim that the film Jaws, which celebrated its 40th anniversary back in June, was really all about the Jews (see the piece in The Jewish Chronicle HERE). 

Not only was it directed by Steven Spielberg and starring Richard Dreyfus (both Jewish), but there was substantial Jewish input (from Jewish scuba experts and extras) and inspiration (the shark was nicknamed "Bruce" after Spielberg's favorite lawyer). More than that, Abrams makes the argument that the triangle-finned protagonist represented the misunderstood and maligned Jew whose representation in the film, "taps into age-old fears of the Jew as predatory, lusting after gentile women and the blood of young Christian children." 

While at times Abrams' analysis may seem a bit too forced he brings up salient points that seem to show there is some credence to his thesis. At the very least, Abrams forces us to look beyond the sheen of summer blockbusters and popular films to read the subtext. Often, you'll find faith-filled themes lurking behind some of your favorite flicks. 

Who knows, maybe AntMan is about atheists and the establishment or maybe Mission Impossible 5: Rogue Nation is about Messianic return. At the very least, we often see people read onto films their own religious meanings and themes. Just take a look at the various "movie Bible studies" that seem to be popular at evangelical Christian churches during the summer. 

Also, you'll never see A Clockwork Orange the same again after you know that most of it was a not-so-subtle critique of atheist Stanley Kubrick's view of religion (specifically Christianity) or the religious intimations at work in Blade Runner or Charlie and the Chocolate Factory.   

*You might also like "Christian television as the new digital cathedrals." 

Jim Gaffigan is Catholic & wants to throw a Bible in a trash-bag. Welcome to the 21st-century. 

Lovable comedian & father-figure Jim Gaffigan also made a splash this summer with the premier of his new show "The Jim Gaffigan Show." 

PHOTO: Care of "Jim Gaffigan Show"

The entire first episode swirls around his juggling act between his "Shi'ite Catholic" wife, his own Catholic faith, popular culture, and mainstream media. And as Kimberly Winston of Religion News Service wrote, "Jokes about somebody's religious beliefs are often...duds." 

That begs the question - why would the "Hot-Pocket comedian" dive into such a hot topic for his debut episode? Winston asked for my perspective on the show because of the work we are doing here at #FaithGoesPop. Here's an excerpt from her excellent story:

Ken Chitwood, a scholar who writes about religion and popular culture, said Jim Gaffigan’s comedic inner voice is key to what is new and different about this show in terms of religion — it presents a TV family that is simultaneously sacred and secular, funny and poignant.

“They are not this super holy, sanctimonious family,” Chitwood said. “They kind of hold their Catholicism lightly (in terms of humor). They are able to show Jim as this new kind of Catholic —  he is mainstream, he is funny and he is friends with Chris Rock.”

Brewtherans, Presbeertyerians, & EpiscoPaleAleians?

PHOTO: Care of RJ Grunewald and www.rjgrune.com 

Beer is one of my things. Apparently, I'm not alone. One of the major trends in the U.S. right now (or indeed, the world over) is an artisanal shift toward craft beer production and consumption. Part of this is due to the consumer's need to feel authentic and local in their constant competition with the international, imitated, and invisible hand of the market. Part of it is also because this beer is damn good. But another part of it is, well, religious. 

Many different religious interactions and intersections are part of the craft beer craze going on right now. There are beer hymn sings in the U.K., Oregon, and Colorado, brewery Bible studies, "Theo-pubs," beer-troversies over religious symbolism, and explicitly religious themed beer production lines. Which brings us to ask -- what's with all this "craft-brewed" religion?

Certainly, there are lots of different angles to take and I've taken a few of them. Check out the following to learn more about beer & religion throughout history, about how beer and religion are interacting today, & how I think you can pour beer to the glory of God as a Brewtheran...I mean Lutheran...pastor:

  • Pouring beer to the glory of God
  • Religious beertroversies 
  • Patron saints of beer

Gospel roller skating and religion on the move

RKHPL on Parallel Bible snapped this image of a "Gospel Roller Skating" rink in Philly. I came to discover that "Gospel roller skating" isn't all that uncommon as skate-enthusiasts with a hankerin' for Gospel music can hop, or skate, down to their local rink for a fusion of the two fine arts. 

It's also a perfect example of what David Chidester calls the "haptics of the heart" -- the embodied, tactile, and physical tactics of moving that animate religious belief in the U.S. in a modern world. In his formulation, the free movement of roller skating to Gospel music and making known the Messiah through the movement of the body on the floor is a way of freedom of religion amidst a modern world of pressure from all sides. Held, bound, and burdened in place in the past new religious movements are just that -- movements -- seeking to embody themselves in new physical practices that liberate body and spirit. In this instance, such liberation seems to be achieved through roller-skating across the slick-top and sliding to the soulful rhythms of Gospel music. 

More #FaithGoesPop sightings? 

Remember, be sure to share your #FaithGoesPop sightings on Facebook, Twitter, Instagram, and Pinterest or just send them to me here at www.FaithGoesPop.com. 

Next week, I'm back to share my experiences teaching & talking "Faith Goes Pop" with some community college students in Florida. 

In Faith Goes Pop Tags Jaws, Jaws Jewish, Steven Spielberg, Richard Dreyfus, Faith and film, Jim Gaffigan, Jim Gaffigan Show, Shiite Catholic, Religion and media, Religion and pop culture, Faith Goes Pop, Kimberly Winston, Beer and religion, Christian beer, Beer hymn, TheoPub
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