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KEN CHITWOOD

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“The person who knows only one religion, knows none”
— Max Müller

Are paranormal experiences "real?"

September 29, 2015

The alien abduction. The specter in the basement. The creature under the bed. The numinous feeling in the face of nature or thoughts of eternal, external, and effervescent consciousness. 

Real? Not real? What do you think? 

In a recent interview with Jeffrey J. Kripal, the Religious Studies Project talked with the man who holds the J. Newton Rayzor Chair in Philosophy and Religious Thought at Rice University about his recent works Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal (Chicago, 2011) and Authors of the Impossible: The Paranormal and the Sacred (Chicago, 2010).

In these works, Kripal shared how participation in what we call “the sacred” is a critical element that undergirds religious understanding and activity. From his perspective, human consciousness qualifies, as well as anything else, as “the sacred” itself, and must therefore be addressed and wrestled with by any self-respecting student of religion.

Particularly, Kripal argued that generally marginalized authors who have attempted to theorize the paranormal be treated as central to the religious project, even though their work deals with marvels deemed outside both mainstream scientific and/or religious parameters.

I had the opportunity to respond to Kripal from an ethnographic point of view and, in the midst of this response, to share my own paranormal experience. Enjoy the rest of the article and join the conversation by clicking below: 

Read the full article here

​



In Books, PhD Work, Religion and Culture Tags Jeffrey J. Kripal, Religious Studies Project, paranormal, Emile Durkheim, Authors of the Impossible, Mutants and Mystics
Comment
  According to Pew Research, "The Japanese flag, for example, includes a   hinomaru,   or   rising sun   – representative of   Shinto spiritual roots   within the former Japanese empire."

According to Pew Research, "The Japanese flag, for example, includes a hinomaru, or rising sun – representative of Shinto spiritual roots within the former Japanese empire."

  The central emblem is the Aztec pictogram for Tenochtitlan, now Mexico City, the center of the Mexica (Aztec) empire. The eagle symbolizes the sun and is a representation of the victorious god Huitzilopochtli, who "bowed" to the Mexica an

The central emblem is the Aztec pictogram for Tenochtitlan, now Mexico City, the center of the Mexica (Aztec) empire. The eagle symbolizes the sun and is a representation of the victorious god Huitzilopochtli, who "bowed" to the Mexica and their power. The snake may represent the figure Quetzalcoatl, who was traced back to Teotihuacan and was the mythical establisher of state authority and power in Mesoamerica. The cactus (tenoch) is emblematic of Tenochtitlan and thus the entire symbology represents the divine establishment of the Mexica in their capital city, Tenochtitlan (lit., "the place of the cactus").

  The flag of Bhutan draws from the Durkpa Tibetan Buddhist tradition and features Druk, the Thunder Dragon.   Druk, it is believed, divinely approved the establishment of Bhutanese Buddhism with a clap of thunder. 

The flag of Bhutan draws from the Durkpa Tibetan Buddhist tradition and features Druk, the Thunder Dragon. Druk, it is believed, divinely approved the establishment of Bhutanese Buddhism with a clap of thunder. 

 While arguments have been made that the sun in the center of the flag is an example of the European motif of the "sun in splendor," Diego Abad de Santillán, and others, have argued that the "Sun of May" is a representation of the Incan deity Inti.&n

While arguments have been made that the sun in the center of the flag is an example of the European motif of the "sun in splendor," Diego Abad de Santillán, and others, have argued that the "Sun of May" is a representation of the Incan deity Inti. 

  The Union Jack   of Great Britain  , as well as its descendant flags throughout the commonwealth, "make reference to three Christian patron saints: the patron saint of England, represented by the red cross of Saint George, the patron

The Union Jack of Great Britain, as well as its descendant flags throughout the commonwealth, "make reference to three Christian patron saints: the patron saint of England, represented by the red cross of Saint George, the patron saint of Ireland, represented by the red saltire of Saint Patrick, and the patron saint of Scotland, represented by the saltire of Saint Andrew." (Wikipedia)

  Also called Taekkuk (referring to the Yin and Yang halves of the circle in the center of the flag) the Korean flag exudes balance and harmony.   The red and blue circle in the center is called 'Taeguk', the origin of all things in the universe. The

Also called Taekkuk (referring to the Yin and Yang halves of the circle in the center of the flag) the Korean flag exudes balance and harmony.

The red and blue circle in the center is called 'Taeguk', the origin of all things in the universe. The central thought is perfect harmony and balance: A continuous movement within the sphere of infinity, resulting in one unit. The blue part of 'Taeguk' is called 'Eum' or in Chinese, Yin, and represents all negative aspects of the balance while the red part is called 'Yang' and describes all the positive apects. The circle itself represents unity - bringing together the negative and the positive, while the Yin and Yang represent the duality. Examples of duality are heaven and hell, fire and water, life and death, good and evil, or night and day

The four trigrams at the corners (called 'Kwe' in Korean) also represent the concept of opposites and balance.

 Whereas Saudi Arabia's flag is explicit, the Iranian flag is more cryptic in its symbology. The central e mblem is a highly stylized composite of various Islamic   elements: a geometrically symmetric form of the word Allah   and overlappin

Whereas Saudi Arabia's flag is explicit, the Iranian flag is more cryptic in its symbology. The central emblem is a highly stylized composite of various Islamic elements: a geometrically symmetric form of the word Allah and overlapping parts of the phrase lā ʾilāha ʾillà l-Lāh, (There is no God Except Allah), forming a monogram in the form of a tulip it consists of four crescents and a line.

 This flag uses the most recognized symbol of Jewish identity and wider community -- the Star of David. Still, t he earliest Jewish usage of the symbol was inherited from medieval Arabic literature and Kabbalists who used the symbol   for t

This flag uses the most recognized symbol of Jewish identity and wider community -- the Star of David. Still, the earliest Jewish usage of the symbol was inherited from medieval Arabic literature and Kabbalists who used the symbol for talismanic properties in amulets (segulot) where it was known as the Seal of Solomon. 

 The central symbol in the Indian flag is the   Ashoka Chakra, itself  a depiction of the   dharmachakra  ; represented with 24 spokes. According to Wikipedia, "When   Buddha   achieved   nirvana   (Nibbana) at Gaya, he

The central symbol in the Indian flag is the Ashoka Chakra, itself a depiction of the dharmachakra; represented with 24 spokes. According to Wikipedia, "When Buddha achieved nirvana (Nibbana) at Gaya, he came to Sarnath on the outskirts of Varanasi. There he found his five disciples (panch vargiya Bhikshu) Ashwajeet, Mahanaam, Kaundinya, Bhadrak and Kashyap, who had earlier abandoned him. He preached his first sermon to them, thereby promulgating the Dharmachakra. This is the motif taken up by Ashoka and portrayed on top of his pillars."

 According to the Slovak government, "The double silver cross  allegedly symbolizes the tradition of St. Benedict, St. Cyril and St. Methodius, but in reality this is a Christian symbol for older resurrection of Jesus Christ, which was used in B

According to the Slovak government, "The double silver cross allegedly symbolizes the tradition of St. Benedict, St. Cyril and St. Methodius, but in reality this is a Christian symbol for older resurrection of Jesus Christ, which was used in Byzantine Empire since the 9th century."

 The Arabic inscription on the flag, written in the calligraphic  Thuluth  script, is the  shahada  or  Islamic  declaration of faith:    لَا إِلٰهَ إِلَّا الله مُحَمَّدٌ رَسُولُ الله     lā ʾilāha ʾillā-llāh, muhammadun

The Arabic inscription on the flag, written in the calligraphic Thuluth script, is the shahada or Islamic declaration of faith:

لَا إِلٰهَ إِلَّا الله مُحَمَّدٌ رَسُولُ الله

lā ʾilāha ʾillā-llāh, muhammadun rasūlu-llāh

There is no god but God, Muhammad is the messenger of God.[1]

 

The shahada in the Saudi flag, with individual words highlighted in different colours. Word order shown by colour key at bottom. (Read from right to left)

The green of the flag represents Islam and the sword stands for the House of Saud. (Credit, Wikipedia)

  According to Pew Research, "The Japanese flag, for example, includes a   hinomaru,   or   rising sun   – representative of   Shinto spiritual roots   within the former Japanese empire."    The central emblem is the Aztec pictogram for Tenochtitlan, now Mexico City, the center of the Mexica (Aztec) empire. The eagle symbolizes the sun and is a representation of the victorious god Huitzilopochtli, who "bowed" to the Mexica an   The flag of Bhutan draws from the Durkpa Tibetan Buddhist tradition and features Druk, the Thunder Dragon.   Druk, it is believed, divinely approved the establishment of Bhutanese Buddhism with a clap of thunder.    While arguments have been made that the sun in the center of the flag is an example of the European motif of the "sun in splendor," Diego Abad de Santillán, and others, have argued that the "Sun of May" is a representation of the Incan deity Inti.&n   The Union Jack   of Great Britain  , as well as its descendant flags throughout the commonwealth, "make reference to three Christian patron saints: the patron saint of England, represented by the red cross of Saint George, the patron   Also called Taekkuk (referring to the Yin and Yang halves of the circle in the center of the flag) the Korean flag exudes balance and harmony.   The red and blue circle in the center is called 'Taeguk', the origin of all things in the universe. The  Whereas Saudi Arabia's flag is explicit, the Iranian flag is more cryptic in its symbology. The central e mblem is a highly stylized composite of various Islamic   elements: a geometrically symmetric form of the word Allah   and overlappin  This flag uses the most recognized symbol of Jewish identity and wider community -- the Star of David. Still, t he earliest Jewish usage of the symbol was inherited from medieval Arabic literature and Kabbalists who used the symbol   for t  The central symbol in the Indian flag is the   Ashoka Chakra, itself  a depiction of the   dharmachakra  ; represented with 24 spokes. According to Wikipedia, "When   Buddha   achieved   nirvana   (Nibbana) at Gaya, he  According to the Slovak government, "The double silver cross  allegedly symbolizes the tradition of St. Benedict, St. Cyril and St. Methodius, but in reality this is a Christian symbol for older resurrection of Jesus Christ, which was used in B  The Arabic inscription on the flag, written in the calligraphic  Thuluth  script, is the  shahada  or  Islamic  declaration of faith:    لَا إِلٰهَ إِلَّا الله مُحَمَّدٌ رَسُولُ الله     lā ʾilāha ʾillā-llāh, muhammadun

Why 1/3 of Countries Have Religious Symbols on National Flags

January 28, 2015

Yes, you read that right. According to Pew Research, 64 nations around the world fly "national flags that include religious symbols."

Pew further clarified the flags according to the religions they represent:

“Of the 64 countries in this category, about half have Christian symbols (48%) and about a third include Islamic religious symbols (33%), with imagery on flags from the world’s two largest religious groups appearing across several regions.”
— Pew Research

And if the number of religious standards flapping in the wind is a surprise for you, that's nothing compared to national anthems which contain religious themes. Upwards of 126 different nations have explicitly religious titles, themes, lyrics, or metaphors embedded in their official state song. That's somewhere between 64-66% of nations (depending on your worldwide count, ranging from 189-196 sovereign countries).

So much for the separation of church and state. 

While different nations have different notions of the separation of church and state and others make no distinction nor erect any partition between the two, many (if not most) countries have some imperative to differentiate between the role, expression, or function of religion and state respectively. Still, this is a tricky issue seeing as religion continues to play a role, whether explicitly or implicitly, in the formation of many a nation-state -- not to mention "national identity." 

*For more on religion and culture, follow @kchitwood

Indeed, there are varying degrees of delineation between "church" and "state" depending on the legal parameters and constitutional mandates that speak to the appropriate relationship between religion and politics in each respective nation. While there may be laws governing the separation, there are varying degrees of distance wherein religion and state function as two independent bodies or wherein pluralism is tolerated, but there is still an official state religion (a la in the United Kingdom). In addition to being known as "separation of church and state," the idea is encapsulated by other concepts such as secularism, disestablishment, religious liberty, pluralism, or constitutional tolerance. Essentially, the idea of "separation of church and state" is fluid, and thus slippery, to comprehend and apply. 

Beyond this nebulous concept of "separation," why do so many countries appeal to religious symbology in elements for their national imagery and imaginary?

It seems to me that mixing religious symbols with state power is still, despite the augury of the prophets of secularization, a viable option for nation-states and institutions to offer a relative degree of control to their leadership in a world ever more chaotic because of economic, political, and social instability and time-space compression due to the forces of globalization. “The use of a simple symbol in a film, a book or an advertisement says far more than any wordy explanation ever could” wrote Adele Nozedar in The Element Encyclopedia of Secret Signs and Symbols, “Signs and symbols, our invention of them and understanding of them, transcend the barriers of written language and are the very heart of our existence as human beings.” Thus, symbols are powerful. And religious symbols even more so as it reaches beyond this temporal realm into eternity. Thus, if a nation or leader is looking for an anchor to unify and stabilize her people, religious symbols seem a robust option. 

Indeed, these religio-political symbols might be said to offer what David Morgan calls a “web of communication," giving the nation an almost iconic status. Morgan talks about the "sacred gaze," which denotes any way of seeing that invests its object—an image, a person, a time, a place—with spiritual significance. Using an interdisciplinary approach, Morgan investigates how viewers incorporate and attend to religious symbols and images and how that encounter furnishes a social, intellectual, and perceptual construction of reality. Essentially, Morgan argues that religious symbols -- be they Protestant, Catholic, or otherwise -- are not to be viewed in isolation. Rather, they must be seen within their social contexts, which includes more than theological ideas, but devotional attitudes and practices, everyday rituals, personal testimonies, and "the sacred space of the home." Building on this proposition, it would be fair to say that these symbols in the flags are powerful regulators of human passions and perspectives on others, especially in the context of nation-states.

Basically, these flag symbols not only solidify an independent group identity, but attempt to create a political or national identity that cuts across urban centers, rural villages, regions, or states. In countries where religious pluralism dominates, or there are significant religious minorities, this may mean that these flags cut across religious boundaries as well, in order to regulate not only institutional relationships but personal and familial ones as well. These religious symbols are able to do so, because they are attached to a symbol of massive power -- the national flag -- which produces a sense of awe, enormity, and transcendent grandeur that in turn provides a shared reference point for members of a community with similar, or in some cases dissimilar, world views. While religious minorities may contest the symbology, the symbol is able to -- because of cultural, social, economic, or religious context -- unite enough of the nation to provide a mainstay for shared civic character. 

Even countries without explicit religious symbol rely on the same potency of shared imagery. In the U.S., our flag may be bereft of religious images, but the waving Stars and Stripes resplendent in the wind has been known to evoke iconic ecstasies and rapturous emotions in the patriotic members of the U.S.'s civil religious. Has it not? While the U.S. flag doesn’t employ an explicitly religious symbol it is still imbued with attendant symbolical meaning and religious effect. 

According to Emile Durkheim’s definition, religion is a unified system of beliefs and practices which unite individuals in to one moral community. While Durkheim may certainly be critiqued, the sociality that religion provides cannot be denied. If the role of politics and state institutions is to establish its hegemony over a people and have the same people accept that state's authority as normative for their lives, both individual and communal, then religion, as a cultural phenomenon, becomes a primary tool wherein to establish said community and suffuse its compliance to state-craft with divine intimations. Religion is the soothsayer of the magic of state.

As such, a religious symbol in a flag is used to great effect as a sibyl of state authority. Hence, why so many nations around the world employ such images even today in what is supposed to be an every more globalized, pluralistic, and secularized modern world. 

*For more on religion and politics, you may want to read "Is Kim Jong-un a god? 'The Interview' and the Juche idea." 

*For more on religion and culture, follow @kchitwood

In Faith Goes Pop, Religion and Culture Tags Japan, Mexico, Argentina, Israel, Slovakia, Saudi Arabia, Iran, South Korea, Bhutan, The UK, Union Jack, Druk, Taekkuk, Religious symbology, Religious symbols on flags, Flags with religious symbols, Religio-Political identity, David Morgan, Webs of connection, Emile Durkheim, Religion and state, State craft, Nation-state
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