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KEN CHITWOOD

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“The person who knows only one religion, knows none”
— Max Müller
The azulejo tile work and inscription, “no victor except Allah” in the lobby of el Ateneo Puertorriqueño, Viejo San Juan, Puerto Rico. PHOTO: Ken Chitwood.

The azulejo tile work and inscription, “no victor except Allah” in the lobby of el Ateneo Puertorriqueño, Viejo San Juan, Puerto Rico. PHOTO: Ken Chitwood.

"No Victor but Allah": The Islamic Built Legacy of Puerto Rico

March 30, 2021

ولا غالبَ إلا الله

Wa la Ghalib Illa Allah

No hay vencedor excepto Allah. 

There is no victor except Allah. 

Walking past the pastel-colored façades of Viejo San Juan (Old San Juan), you might miss the arabesque arches and azulejo tile work that adorns buildings like the French restaurant at 311 Calle de Fortaleza or the elite cultural institution el Ateneo Puertorriqueño.

Both of these stunning buildings bear the remnants of a little-known, but resilient, slice of Puerto Rico’s history — that of how Islamic architecture came to shape the built environment of the island and other parts of the Americas during the Spanish colonial period and beyond.

The words above — “there is no victor except Allah” — are featured hundreds of times on the walls of the Alhambra in Granada, Spain. They can also be found on the façade of 311 Calle de Fortaleza or in the Ateneo Puertorriqueño’s lobby.

More than architectural curiosity, these vestiges of Islamic influence in Puerto Rican art, culture, and society become a strong identity referent for Puerto Rican Muslims who feel marginalized from more popular and sanctioned understandings of what counts as “Puerto Rican.”

This story forms a key part of a new podcast episode from “Kerning Cultures,” put together by Alice Fordham.

I got to consult on this project and am super excited that it is out in the world. I encourage you to listen to the podcast and learn more about how Puerto Rican Muslims make meaning through the island’s Andalusian and neo-Moorish architecture.

THANKS:

Thanks to Alice Fordham for reaching out about this piece and involving me in the process. It was an honor to contribute. Also, a huge shout out to Kemal Delgado and María (Maru) Eugenia Pabón. Kemal is one of the Puerto Rican Muslims I’ve learned much from over the last few years and Maru was a fellow participant in an in-depth Arabic language program in Amman, Jordan with my wife, Paula. Not only am I glad to see friends and colleagues produce such a beautiful, resonant story, but I am pleased to see the Puerto Rican Muslim experience find a broader audience. It’s a narrative I am humbled to share, in this way and more.

In Religion and Culture, Religious Literacy, Religious Studies, Travel Tags Kerning Cultures, No Victor but God, Puerto Rico, Puerto Rican Muslims, Kemal Delgado, Alice Fordham, Maru Pabón, Islamic, Islamic architecture, Nasrid, Andalusia, Andalusian, Andalusian tiles, Azulejo, Moorish, Moorish Architecture, Alhambrismo
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