Brenda Flanagan’s 2009 novel Allah in the Islands tells the story of the lives, dreams, and social tensions of the residents of Rosehill, a community on the fictional “Santabella Island.” The novel centers around the protagonist Beatrice Salandy and her decision whether or not to leave Santabella, a lush and tropical Caribbean island only thinly veiled as real-life Trinidad. Weaving its way through the novel is Beatrice’s relationship with an “Afro-Santabellan” Muslim community that is critical of island politics and outspoken on behalf of the poor.
Through first-hand narratives from Abdul—one of the members of the community and right-hand man to its leader, Haji—readers learn that the “Afro-Santabellan” Muslim community is planning a coup against the Santabellan government. This, in turn, is a thinly veiled reference to the real-life 1990 Jamaat al-Muslimeen coup. A key theme that runs throughout the book, and in contemporary Trinidad, is how the non-Muslim residents of Santabella view “Afro-Santabellan” Muslims. Situated between the island’s Black and Indian communities, Flanagan writes how island residents react with a mixture of awe and opprobrium to their Muslim neighbors.
While it may seem strange to start a review of one book with a discussion of another, I would not have been aware of Flanagan’s work if it were not for Aliyah Khan. Khan’s adept analysis of Flanagan’s Allah in the Islands serves as one of the primary means by which she argues that the 1990 coup is the seminal event for the Caribbean’s perception of Islam and Muslims. Combining this analysis with an interview with “Haji”—the real-life “celebrity terrorist” Imam Yasin Abu Bakr—and an exploration of popular calypso music about the coup, Khan shows how events in Trinidad in the 1990s “changed national perceptions of Muslims” (192) throughout the Anglophone Caribbean, long before 9/11.
This is just one small example of Khan’s masterful interdisciplinary treatment of the subject of Islam and Muslims in the Anglophone Caribbean.
In this regard and many others, Far From Mecca is a commendable monograph that will spark additional research in the burgeoning field of Latin American and Caribbean Islamic studies, building on previous literature on Islam and Muslims in the Anglophone Caribbean in particular. It is also a worthwhile text by which scholars in different fields—religion in the Americas, Caribbean studies, global Islamic studies, postcolonial studies, etc.—might branch beyond their main disciplines and come to learn something fresh, from a slightly different perspective. Such was the case for me as I came across Allah in the Islands in Khan’s work. It is rare for works to be able to speak to so many different fields and to do so cogently and convincingly, but Khan’s book is an exception that is enlightening for readers in multiple disciplines, critical of an array of entrenched scholarly discourses, and useful for various classroom discussions.
Overall, Khan argues that appreciating the continuous Afro- and Indo-Muslim presence and cultural influence in the Caribbean tells a different story about both global Islam and the Caribbean. Following Aisha Khan’s emphasis on Islam of the Americas, rather than Islam in the Americas, Aliyah Khan claims that Muslims are “not different from other Caribbean people in their negotiation of culture and place” and situates Islam and Muslims firmly within the history and society of the Anglophone Caribbean as a whole. At the same time, Khan also seeks to de-center the study of Islam in the Americas outside the USA, looking at the hemisphere’s “formerly colonial whole” and pinpointing events and figures beyond 9/11 and the USA’s respectively well-studied Muslim communities. Khan brings an interdisciplinary approach to the subject, weaving together literary analysis of fiction, autobiography, poetry, non-fiction, and music in Guyana, Trinidad, and Jamaica with interviews, media analysis, and personal connections to key events in the Anglophone Caribbean.
Khan’s work is a timely, incisive, and critical addition to the growing corpus of literature that seeks to bring the lens of Caribbean studies to bear on the study of global Islam and expanding the perspectives and paradigms scholars use to frame Islamic studies and its “literatures.”